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Miguel Bonneville #7 - The X Show
Museu Colecção Berardo / Centro Cultural de Belém

Praça do Império, Belém

20 e 21 de Novembro às 18h00


exposição individual

Finissage | A Collection of Self-Portraits
Espaço BÁ
Rua do Barão, 10
17 Novembro | 19h00

exposição colectiva

Persona
Teatro Turim
Estrada de Benfica, nº 723 A
19 Novembro - 12 Dezembro
inauguração 19 Nov. às 20h

Workshop: re/organization of re/emerging movements

Updating Revolutionary Systems/Confronting Perpetratory Systems III: Friday, 19th of
November 2010

11am
Workshop: re/organization of re/emerging movements
Carla Cruz (Artist, Founder of AMIW), AMIW (All My Independent Women, Portugal), Ulrike
Krippner (Landscape Architect), Iris Meder (Architecture Theorist) and
Rudolfine Lackner (VBKÖ): In this virtual/real workshop we will confront
historical and current feminist practices as well as the literary working
practice of AMIW. We will engage in the following questions: Which struggles
have turned women artists into political subjects? Why can their early protests
be called movements? Which world politics are responsible for making many of
them unknown? Which oppressive powers do new feminist formations face today
when compared to bell hooks’ book Feminist Theory from Margin to Center (1984)?

German/English


2pm
Fathomizing Memory
Vinko Nino Jaeger (Student at the Academy of Fine Arts Vienna and Media Educator): Project
presentation, workshop and sound exhibition with the focus "Survey –
Remembering/Memory. Membranes/Invisibles." "Fathomizing Memory"
is an interactive and multimedia project on the commemoration of victims,
survivors and resistance fighters against the Nazi Regime. It aims to subvert
the authority of the factual through renewed critical questioning. It is
organized by Elisabeth Samhaber from Radio ORANGE 94.0 and Vinko Nino Jaeger.
Project collaborators: Dokumentationsarchiv Österreichischen Widerstands (DÖW),
the Verein Gedenkdienst, trafo-k, the Historian and City Guide Petra Unger,
Painter and Architect Wolf Werdigier and the Austrian Association of Women
Artists (VBKÖ).

German


6pm
The Reconstruction of the Lueger Memorial into a Testimonial against Anti-Semitism
and Racism
The presentation and discussion of the contributions, particularly in regard to feminism, will
take place in the workshop by the Work Group for the Reconstruction of the
Lueger Memorial into a Testimonial against Anti-Semitism and Racism and the
participants of the open call.

German


On the occasion of the centennial anniversary, a program for the year will be
presented, which is composed of theoretical activities and a growing annual
exhibition. Currently, works by 100 Poster Club, Amanda Amaan/Rudolfine Lackner,
Elke Auer/Esther Straganz, Linda Bilda, Veronika Dirnhofer, Lina Dokuzovic,
Drogerie, Nino Jaeger and Sands Murray-Wassink are on display. All of the
activities refer to the historical origin of the VBKÖ in the androcentric
totalities of institutions and to current links of resistance predominantly
imprinted by feminism.

Curator: Rudolfine Lackner

Freitag/Friday, 19. Nov. 2010: 11:00, 14:00, 18:00

Further exhibition opening hours/guided tours by arrangement only
Sonstige Ausstellungsöffnungszeiten/Führungen nur nach Vereinbarung

Novas Cartas Portuguesas

comprar




mais
"O sexo que elas têm"

o que ainda queremos ler
"A Morte da mãe"
Isabel Barreno

“A FREIRA PORTUGUESA”

A Seiva Trupe está de volta aos palcos com a apresentação da peça “A FREIRA PORTUGUESA”, de Maricla Boggio.

O drama inspira-se nas cinco “cartas portuguesas”, de Mariana Alcoforado, freira do convento de Beja, enamorada de um oficial francês que veio a Portugal para combater contra os espanhóis e que, depois, regressa a Paris, esquecido da paixão que nela despertara. Mariana vive nestas cartas um universo de dedicação, de ternuras, de saudades, incrédula pela abandono a que fora votada, até acabar por distinguir entre o amor como sentimento absoluto e o sujeito a quem o dedicou. Desfloresce a paixão irracional e toma consciência da triste realidade.

Um numeroso elenco onde estão presentes várias componentes artísticas, como canto, música original, etc., tendo a direcção e encenação a assinatura de Cláudio Hochman.

HORÁRIOS:
De Terça a sábado às 21h45
Domingos “matinées” às 16h00

TEATRO DO CAMPO ALEGRE
Reservas: 226063000

Carla Filipe

Vila Franca de Xira
Museu do Neo-Realismo
“The Return of the Real – 13”
Carla Filipe, intitulada ‘’O Povo reunido, jamais será - representações gráficas’’ 2009- 10,
13 de Novembro 2010 a 6 Março 2011
16h00.

Convocatória de artes plásticas

V CONVOCATORIA MULIER, MULIERIS 2010

mulier, mulieres info

8 de noviembre al 11 de diciembre de 2010

La celebración del Día Internacional de la Mujer supone para el MUA una ocasión singular para dar visibilidad al compromiso de los creadores contemporáneos con cuestiones relativas a la condición femenina. A partir de los valores que alientan la celebración de esta jornada –libertad, participación y transformación social–, el museo universitario se convierte en la plataforma para interpretar, reflexionar, cuestionar y transformar la realidad que afecta a las mujeres.

Esta V Convocatoria Mulier, mulieris consolida su vocación de pluralidad; está abierta a creadores de ambos sexos que aborden la temática femenina, a la utilización de cualquier medio expresivo que implique una creación artística (pintura, fotografía, vídeo, escultura, instalación, conjunción de varios medios, etc.), así como al tratamiento del tema desde una perspectiva global o personal.

Carla Filipe

Calouste Gulbenkian Foundation is delighted to invite you to celebrate the launch of “an ilustrated guide to the british railway to my study” (evocation of a new language that transgresses the rules of translation), by Carla Filipe, on Tuesday 16 November from 6pm. Please find your invitation attached.

“an ilustrated guide to the british railway to my study” is the culmination of Carla Filipe’s Gulbenkian residency at ACME Studios, London, from October 2009 to September 2010. The publication includes critical texts by Ulrich Loock and Miguel von Hafe Pérez.

"....the book is Carla Filipe’s work, which, being informed by its reference to pre-existing writing and drawing, should not share the same location with texts referring to her own. Writing and drawing are merged in a number of pages that reproduce rubbings Filipe made of memorial plates encountered in train stations in Britain. Here her drawing is limited to the action of a hand that presses a pencil on a sheet of paper and moves it across to trace rows of writing in embossed letters, the names and professions of trainmen fallen in the wars. Mechanically applied, drawing is used as a recording procedure for writing, while at the same time the writing on the plates that had stayed in place for years on end is imbued with the strokes of the living body performing at a specific time and location." Ulrich Loock