13/03/2015

Feminist Duration in Art and Curating


Goldsmiths, Department of Art, Research Symposium
16th and 17th March, 2015

This two-day research symposium considers the resonance of feminist art, thinking and collectivity in contemporary life. Riffing on Amelia Jones' concept of 'queer feminist durationality,' it explores feminist legacies, potentials and pitfalls to examine how tactics and strategies from earlier movements and projects are being re-examined and redeployed today. Concerned with the dangers of romanticising earlier struggles and succumbing to Left melancholy, the symposium looks at how feminisms in art and curating contribute to a constellation of cultural production. Such speculations open up the differences in intention and reception across place, time and context.

With:
Kajsa Dahlberg (Berlin and Malmö), Claire Fontaine (Paris), Laura Guy (Goldsmiths), Rehana Zaman (Goldsmiths), Helena Reckitt (Goldsmiths), Louise Shelley (The Showroom, London), art historian Catherine Grant (Goldsmiths), Nina Power (University of Roehampton).
At Goldsmiths College, Richard Hoggart Building, rooms 325-326,

03/03/2015

Pottery Ladies - UK TV Documentary - Clarice Cliff

Rosa Ramalho

link: Rosa Ramalho, entrevista 1968

"Reportagem de Carlos Simões em São Martinho de Galegos, concelho de Barcelos, com a ceramista Rosa Ramalho. Declarações da artista que nos fala sobre a atividade de barrista que exerceu durante toda a sua vida, a sua família, a primeira viagem que fez a Lisboa e o trabalho de outros oleiros."

Misogyny: Witches and Wicked Bodies


@ Institute of Contemporary Arts (ICA), The Mall, London  (Cinema)
3-6pm, Wed 18th March 2015

Keynote Speaker: Deanna Petherbridge, artist and curator of Witches and Wicked Bodies
Respondents: Lynne Segal, Alexandra Kokoli and Katy Deepwell.

Deanna Petherbridge, Witches and Wicked Bodies, NGS Publishing

Deanna Petherbridge’s exhibition, Witches and Wicked Bodies (British Museum, 5 Sept 2014-11 Jan 2015 and Scottish National Gallery of Modern Art, Edinburgh, 27th July - 3rd Nov 2013), provided an intriguing and original historical overview of representations of witches from classical representations on Graeco/Roman pottery through to Symbolist works at the turn of the twentieth century.

This ICA/Middlesex University mini-conference aims to discuss this exhibition’s presentation of misogyny through the persistence of extremely potent and disturbing images of hideous old hags and desirable young sirens, as it has been revisited, restructured and represented throughout different periods of Western art history. The respondents will then introduce questions about the representation of older women in art, culture and society in the past and present and look at how different approaches within feminism have taken the figure of the witch and attempted to transform it.

Lynne Segal is Professor in Psychosocial Studies, Birkbeck College, University of London. Her recent books include:  Out of Time: The Pleasures and Perils Ageing (Verso, 2013); Making Trouble: Life and Politics (Serpents Tail, 2007); Straight Sex: The Politics of Pleasure (Virago, 1994; Verso, 2014). She will address the exhibition and its topic from the perspective of her extensive research into gender, sexualities and shifts and continuities in portrayals of ageing.

Alexandra Kokoli, Senior Lecturer in Visual Culture (Fine Art), Middlesex University, is completing a monograph on the feminist uncanny, (Bloomsbury Academic, forthcoming). Her talk will examine the figure of the witch in 1970s French feminisms informed by psychoanalysis, including Catherine Clément's contribution to The Newly Born Woman (co-authored with Hélène Cixous) and the bimonthly journal Sorcières (1976-1981). In psychoanalytic second-wave feminist discourse, the witch emerges as victim and heroine in one, bearing the marks of the most extreme misogynistic violence yet also embodying the potential for a feminist revolution.

Katy Deepwell is Professor of Contemporary Art, Theory and Criticism, Middlesex University, and editor of n.paradoxa: international feminist art journal and Feminist Art Manifestos: An Anthology (KT press, 2014). In her talk, she will address how feminist thought and research, notably Mathilda Joselyn Gage, Mary Daly and Silvia Federici, has analysed the witchcraze and how this emerges as a means to reconceptualise the question of heresies, cosmology, and relations of church and state for feminism, while at the same time providing potent imagery for feminist art works.
 
The event will be chaired by Professor Hilary Robinson, Dean of the School of Art and Design, editor of the anthology Feminism-Art-Theory 1968-2014 (Wiley-Blackwell, second edition, forthcoming 2015).

This talk is organized by Create/Feminisms, a research cluster in the School of Art and Design, Middlesex University and is a collaboration between the School of Art and Design and the ICA.

Tickets available to the public: £8 full price/£5 concessions/£3 ICA members.




02/03/2015

NÃO SOU UM HOMEM, SOU UMA MONTANHA, Miguel Bonneville

MUSEO DE GEOLÓGICO DE LISBOA
Rua da Academia das Ciências, no 19 – 2o

INAUGURAÇÃO: Sábado 7 de Março 2015 das 15h00 às 17h00

Exposição patente de 7 a 28 de Março 2015
Segunda a Sábado das 10h00 às 17h00


'"O corpo repete a paisagem. São a fonte um do outro e a criam-se um ao outro."
Meridel le Sueur
Foi a partir desta percepção que comecei por descrever o meu corpo como um fenómeno geológico, como um acidente geográfico, como parte da dinâmica da terra; o meu corpo como uma montanha, metáfora das transformações interiores para chegar à elevação, à solidificação, uma forma de me distinguir do resto da paisagem.' MB

03/02/2015

Olhares de Mulheres, colectiva de arte contemporânea

Exposição: Olhares de Mulheres, colectiva de arte contemporânea
Curadoria: Genoveva Oliveira
Dia de Inauguração: 14 de Fevereiro
Hora: 17h
Local: Coimbra, Casa Municipal da Cultura

Organização: Mercearia das Artes

"Projecto “ELA” /The She Project
Idiomas Femininos – processos criativos, reflexões e resistências
O projecto português “SHE/ELA - Idiomas femininos - processos criativos, reflexões e resistências” tem como objectivo perscrutar, realçar e difundir o papel da mulher nas artes visuais, na criação artística, na curadoria, na crítica e na investigação. Nesta fase inicial integram o projecto museus, universidades e espaços de arte alternativos com o objectivo de investigar, reflectir e tomar um posicionamento sobre o papel da mulher na arte. É criada uma “rede” de partilha a nível nacional e internacional que envolve instituições públicas e privadas que desenvolvem actividades dentro do seu âmbito de trabalho como exposições de mulheres artistas e / ou discussões críticas (mesas redondas, seminários, jornadas, conferências) sobre a temática" (Genoveva Oliveira).