18/02/2015
03/02/2015
Olhares de Mulheres, colectiva de arte contemporânea
Exposição: Olhares de Mulheres, colectiva de arte contemporânea
Curadoria: Genoveva Oliveira
Dia de Inauguração: 14 de Fevereiro
Hora: 17h
Local: Coimbra, Casa Municipal da Cultura
Organização: Mercearia das Artes
"Projecto “ELA” /The She Project
Idiomas Femininos – processos criativos, reflexões e resistências
O projecto português “SHE/ELA - Idiomas femininos - processos criativos, reflexões e resistências” tem como objectivo perscrutar, realçar e difundir o papel da mulher nas artes visuais, na criação artística, na curadoria, na crítica e na investigação. Nesta fase inicial integram o projecto museus, universidades e espaços de arte alternativos com o objectivo de investigar, reflectir e tomar um posicionamento sobre o papel da mulher na arte. É criada uma “rede” de partilha a nível nacional e internacional que envolve instituições públicas e privadas que desenvolvem actividades dentro do seu âmbito de trabalho como exposições de mulheres artistas e / ou discussões críticas (mesas redondas, seminários, jornadas, conferências) sobre a temática" (Genoveva Oliveira).
Curadoria: Genoveva Oliveira
Dia de Inauguração: 14 de Fevereiro
Hora: 17h
Local: Coimbra, Casa Municipal da Cultura
Organização: Mercearia das Artes
"Projecto “ELA” /The She Project
Idiomas Femininos – processos criativos, reflexões e resistências
O projecto português “SHE/ELA - Idiomas femininos - processos criativos, reflexões e resistências” tem como objectivo perscrutar, realçar e difundir o papel da mulher nas artes visuais, na criação artística, na curadoria, na crítica e na investigação. Nesta fase inicial integram o projecto museus, universidades e espaços de arte alternativos com o objectivo de investigar, reflectir e tomar um posicionamento sobre o papel da mulher na arte. É criada uma “rede” de partilha a nível nacional e internacional que envolve instituições públicas e privadas que desenvolvem actividades dentro do seu âmbito de trabalho como exposições de mulheres artistas e / ou discussões críticas (mesas redondas, seminários, jornadas, conferências) sobre a temática" (Genoveva Oliveira).
27/11/2014
Making Feminist Memories: The Case of Helen Rosenau and Woman in Art 1944
PROF. GRISELDA POLLOCK Director of Centre for Cultural Analysis, Theory, History, University of Leeds
UCL History of Art Research SeminarThursday, December 4, 2014, 6.00pm
Darwin Lecture Theatre, Darwin Building, Gower Street, WC1E 6BT
NEWGenNOW – SALT SYMPOSIUM
22/11/2014 10:00 am - 6:00 pm
NEWGenNOW
SALT Symposium
Saturday 22 November
10AM – 6PM
///NOW BOOKING///
As part of the ongoing cyberfeminism series NEWGenNOW, The White Building presents SALT Symposium.
In a climate where traditional modes of articulating refusal through physical action become criminalised or dangerous, language, and furthermore what can be done with it, becomes the only potent weapon left. This symposium will look to errors or interruptions in communication that offer space for disruption and subsequently open up new ways to disobey through glossolalia: to speak in tongues, to be incomprehensible, and to confuse.
Taking the form of the manifesto as a starting point, this refusal to accept what is given, and to look for alternatives or space for transformation between the lines, is what characterises the speakers and their subject matter: those who attempt to put into circulation performative gestures of disobedience as models for experimental protest.
SCHEDULE _ TBC
Participants:
Mali D. Collins is a black poet and writer from the rural Midwest America. Currently residing in New York City, she writes about black contemporary art and the intersections of feminism and media. She is an emerging scholar hoping to return to academia to research intersections of radical blackness and American pop culture.
Guilia Damiani’s project Napoli in the Unmapped Practice of Le Nemesiache: A Feminist Gazetteer gives voice to the untold story of a feminist collective that operated in the 70s and 80s in Napoli, Le Nemesiache, unveiling its relevance for today through essays, transcriptions from films and performances as well as extracts from original and unpublished texts.
Laura Guy is a Lecturer in Critical Studies for Fine Art at Goldsmiths College, University of London and has contributed as a curator to programmes at TATE Liverpool; International Project Space, Birmingham; Archive, Berlin and the Institute of Contemporary Arts, London. She is currently undertaking funded doctoral research at Manchester School of Art under the working title ‘Becoming a Subject of History: Rereading manifesto forms as feminist practice’.
Catherine Grant explores the re-enactment of histories of feminism in contemporary art. She has recently co-edited a special issue of Art History on “Creative Writing and Art History” (April 2011) and a collection of essays on girlhood in contemporary art entitled Girls! Girls! Girls! in contemporary art (2011). An essay on being a ‘fan of feminism’ has been published in the Oxford Art Journal (June 2011).
NEWGenNOW
SALT Symposium
Saturday 22 November
10AM – 6PM
///NOW BOOKING///
As part of the ongoing cyberfeminism series NEWGenNOW, The White Building presents SALT Symposium.
In a climate where traditional modes of articulating refusal through physical action become criminalised or dangerous, language, and furthermore what can be done with it, becomes the only potent weapon left. This symposium will look to errors or interruptions in communication that offer space for disruption and subsequently open up new ways to disobey through glossolalia: to speak in tongues, to be incomprehensible, and to confuse.
Taking the form of the manifesto as a starting point, this refusal to accept what is given, and to look for alternatives or space for transformation between the lines, is what characterises the speakers and their subject matter: those who attempt to put into circulation performative gestures of disobedience as models for experimental protest.
SCHEDULE _ TBC
Participants:
Mali D. Collins is a black poet and writer from the rural Midwest America. Currently residing in New York City, she writes about black contemporary art and the intersections of feminism and media. She is an emerging scholar hoping to return to academia to research intersections of radical blackness and American pop culture.
Guilia Damiani’s project Napoli in the Unmapped Practice of Le Nemesiache: A Feminist Gazetteer gives voice to the untold story of a feminist collective that operated in the 70s and 80s in Napoli, Le Nemesiache, unveiling its relevance for today through essays, transcriptions from films and performances as well as extracts from original and unpublished texts.
Laura Guy is a Lecturer in Critical Studies for Fine Art at Goldsmiths College, University of London and has contributed as a curator to programmes at TATE Liverpool; International Project Space, Birmingham; Archive, Berlin and the Institute of Contemporary Arts, London. She is currently undertaking funded doctoral research at Manchester School of Art under the working title ‘Becoming a Subject of History: Rereading manifesto forms as feminist practice’.
Catherine Grant explores the re-enactment of histories of feminism in contemporary art. She has recently co-edited a special issue of Art History on “Creative Writing and Art History” (April 2011) and a collection of essays on girlhood in contemporary art entitled Girls! Girls! Girls! in contemporary art (2011). An essay on being a ‘fan of feminism’ has been published in the Oxford Art Journal (June 2011).
Two Performances: Andrea Fraser and Alex Martinis Roe
Performances,
Dutch premiere of Men on the Line: Men Committed to Feminism, KPFK, 1972 by Andrea Fraser, Tues 2 Dec 2014, 20:00 hrs, De Balie, Amsterdam and Their desire rang through the halls and into the tower by Alex Martinis Roe alongside a screening, Wed 3 Dec 2014, 20:00 hrs, Casco – Office for Art, Design and Theory,
Men on the Line: Men Committed to Feminism, KPFK, 1972 (2012) is a work developed by artist Andrea Fraser based on a 1972 live radio broadcast of a dialogue between several men discussing the importance of feminist struggle to men, how they respond or fail to respond to their female counterparts, and the anxieties and struggles that arise. Fraser transcribed and edited the broadcast and performs as all four participants, reenacting in her own performance the mens’ difficulty in moving outside the bounds of their gender and experiencing empathy for the feminist cause.
The Amsterdam presentation on Tues 2 Dec 2014 at 20:00 hrs of Men on the Line is co-produced by Casco and If I Can't Dance. It is hosted by De Balie, Kleine-Gartmanplantsoen 10, Amsterdam.
The evening begins at Casco in Utrecht on Wed 3 Dec 2014 at 20:00 hrs. Along with the performance there will be a screening of an earlier work in the series of Martinis Roe’s research into feminist genealogies entitled A story from Circolo della rosa (2014) and a brief introduction by the artist. While the event is free, r.s.v.p. is required to reserve your place; please send an e-mail to ying@cascoprojects.org.
The work is commissioned by Casco and is also a collaboration with the Graduate Gender Programme of Utrecht University and co-presented with If I Can't Dance, Amsterdam. It is co-funded by Einstein Foundation Berlin and realized with the support of the Graduate School for the Arts and Sciences at the Berlin University of the Arts and the Samstag Program.
On view at Casco: Two solo exhibitions: The Common Sense, Phase 1 by Melanie Gilligan and In the Year of the Quiet Sun by The Otolith Group until 25 Jan 2014.
Sezures dia após dia: Ana Pérez-Quiroga
"Sezures dia após dia"
@ loja Objectismo.
Sábado dia 29 Novembro, 16H00
Rua D.Pedro V, nº55 (esquina com a Rua da Rosa)
Lisboa.
Sábado dia 29 Novembro, 16H00
Rua D.Pedro V, nº55 (esquina com a Rua da Rosa)
Lisboa.
Baixo Contínuo: Mafalda Santos & Manuel Mesquita
Mafalda Santos & Manuel Mesquita / Moinho da Fonte Santa - Portugal
28.11.2014 - 15.1.2015
Opening: Vendredi 28.11.2014 19:00- 23:00
B B B - 7 Rue d´Ecosse 1060 St.Gilles/Bruxellles - 0496210321
Mafalda Santos:
Organizational schemes, networks, interconnection and principles of scale and composition are determinant in Mafalda’s work. Expanded drawings on murals or ground works cull their information from computer interface, books and archives to create a simplified imagery that reflects “a moment/place in a mental or social structure of relations.” The artist also considers that they offer a comment on the specific context for which the work was produced.
http://www.mafaldasantos.net/
Manuel Mesquita:
Working mainly in several music- and cinema related activities, he laboured in editing (sound & video),
some voice narration for documentaries, subtitling, translation and has made both video and sound installations in the context of Art exhibitions.
https://www.facebook.com/garciadaselva
www.kapelle-online.com
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