26/12/2009

10 After Party

10 anos - lançamento de publicação online e performances várias :-) dia 3 de Janeiro de 2010, Senhorio, R. Duque de Loulé 239, 2º. Porto 17:00. Todos à caldeira!!!!

10/12/2009

Renata Sancho - Na Rodagem de “Nuit de Chien”


Na Rodagem de “Nuit de Chien”

de Renata Sancho
Projecção de filme e conversa com a realizadora


Uma proposta de Alexandra Ferreira e Bettina Wind

no âmbito do ciclo “Restos, rastos e traços”

-- Entrada livre, lotação limitada --


Terça-feira 8 de Dezembro, 19h00

Atelier Real

Rua Poço dos Negros nº55, Lisboa


"A documentação dos processos de trabalho tem sido o mote para alguns dos meus documentários desde "Direcção:Escultura"(1998) e constitui o campo de trabalho que mais tenho explorado nos últimos anos. Interessa-me observar e documentar os processos criativos quer sejam de um escultor, de um pintor, ou neste caso, de um realizador. Na rodagem de "Nuit de Chien" é um registo da rodagem do filme "Nuit de Chien" de Werner Schroeter. "Nuit de Chien" é uma adaptação do romance de Juan Carlos Onetti "Para esta noche" e foi produzido pela Clap Filmes/Paulo Branco. As filmagens decorreram no Porto entre Março e Maio de 2008. Este documentário constitui um registo do processo de construção de um filme na fase de rodagem e sobretudo do trabalho de ensaios e empenho na direcção de actores de W. Schroeter. Ao longo de 25 dias acompanhei as filmagens nocturnas e no final gravei uma conversa com o realizador, da qual apresentarei alguns excertos. Iremos assistir a uma pequena montagem que incide nos preparativos, encenações até à rodagem do próprio plano."

Renata Sancho nasceu em 1973 em Lisboa, onde vive e trabalha. Desde 1997 trabalha como realizadora, montadora e anotadora. Estudou Ciências da Comunicação na FCSH/UNL, especializando-se na área de Cinema. Realizou os seguintes filmes: "Camões" (2007), "Mercado do Bollhão" (2003); "Paisagem"(2001); "Julião Sarmento - Flashback"(2000); "Direcção:Escultura" (1998) e "ICI" (1997).

Esta apresentação faz parte de Archive Extended [Arquivo Expandido], uma série de apresentações de trabalhos e de conversas moderadas por Alexandra Ferreira e Bettina Wind. No âmbito da residência inserida no ciclo “Restos, rastos e traços / Práticas de documentação na criação contemporânea”, Alexandra Ferreira e Bettina Wind convidaram artistas a apresentar os seus trabalhos e a expor as suas reflexões sobre as relações entre documentação, arquivo, ficção e processo de produção. As sessões – entendidas como uma extensão ao vivo do “Gabinete Audiovisual” do Atelier Real – consistem em projecções ou apresentações de obras acabadas ou em curso e proporcionam conversas e debates com o público.

Os artistas convidados são:


Yael Bartana (na ausência da artista, será projectado o filme Summer Camp), dia 8 de Dezembro, 19h00.

Renata Sancho, dia 15 de Dezembro, 19h00.

Pedro Barateiro, dia 22 de Dezembro, 19h00.

Pedro Lagoa, dia 5 de Janeiro de 2010, 19h00.


Mais informações sobre o ciclo “Rastos, restos e traços” e sobre o Atelier Real: www.atelier-real.org

Mais informações sobre os nossos projectos: http://windferreira.blogspot.com



Atelier Real

Rua Poço dos Negros nº55

1200-336 Lisboa

T: 213909255


Ana Perez Quiroga

If I Can't Dance Tonight with the Otolith Group & Will Holder



15/12/2009, 20:00 hrs

Upcoming 'Tonight' features the Otolith Group & Will Holder. The event includes the screening of the film 'Otolith III' and the presentation of the book 'A Long Time Between Suns', followed by a conversation with Anjalika Sagar, Kodwo Eshun, Will Holder, Grant Watson and Frederique Bergholtz. Read more »

Frascati, Nes 63, Amsterdam
Bookings: +31 (0)20 626 68 66, tickets €10 (€7,50 discount)

About the Otolith Group & Will Holder
The Otolith Group was formed in 2002 by London-based artists Kodwo Eshun and Anjalika Sagar. Their works, which include 'The Otolith Trilogy' (2003-09), 'Inner Time of Television' (2007) and 'Nervus Rerum' (2008), have been exhibited in museums and biennials worldwide, including Tate Britain, Hayward Gallery, International Center of Photography and Documenta 12. In 2006, If I Can't Dance... co-produced the film 'Otolith II'. Read more »

Will Holder is a designer and writer based in London. He recently curated 'Talk Show' at the ICA, and is editor of 'FR DAVID', published by de Appel, Amsterdam. He is currently editing and designing a biography of American composer Robert Ashley (with Alex Waterman), and rewriting William Morris’ 'News from Nowhere (An epoch of rest)' into a guide for design education and practise set in 2135.

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Otholith III
Informed by Satyajit Ray's unmade screenplay 'The Alien' (1967) and Pier Paolo Pasolini's 'Appunti per un film sull'India' ['Notes Towards a Film About India'] (1968), 'Otolith III' replays Ray's unrealised science fiction as a series of competing past potential futures, reanimating a cinematic concept marooned in history. According to its scenario, four of Ray’s principal protagonists - the Boy, the Industrialist, the Journalist, and the Engineer- attempt to locate their director, then cast their own characters from a range of figures appearing in disparate source footage, and at long last complete the film. 'Otolith III' is co-produced by The Showroom, Gasworks and Il Trifoglio Nero and is supported by a grant from Film London.

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A Long Time Between Suns (2009)
'A Long Time Between Suns' is an archival assemblage that links the two stages of the exhibition by the same title that was the first solo show in London of The Otolith Group at Gasworks and The Showroom in 2009. 'A Long Time Between Suns' brings together the voiceover scripts of the three films with newly commissioned texts by T.J. Demos, Jean Matthee and Diana McCarty and texts already published by Mark Sinker and the Otolith Group. 'A Long Time Between Suns' has been designed by Will Holder and forms an archival assemblage that crosses a broad stratum of the Group’s practice in its intersection with the practices of interlocutors.

'A Long Time Between Suns' is co-published by Sternberg Press, Berlin/New York, The Showroom and Gasworks, London, MACBA, Barcelona, Fondazione Galleria Civica – Centro di Ricerca sulla Contemporaneità di Trento, and If I Can't Dance, I Don't Want To Be Part Of Your Revolution.

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If I Can't Dance Tonight is generously supported by the Mondriaan Foundation, SNS Reaalfonds, Amsterdams Fonds voor de Kunst and Prins Bernhard Cultuurfonds.

the jungle is a skyskraper
10/12/2009, 19:00 hrs, at M HKA

The performance the jungle is a skyscraper by Stefanie Seibold and Teresa Maria Diaz Nerio, revolves around the costume politics of Sun Ra and the Arkestra. Sun Ra (1914 – 1993) was an African-American jazz composer, musician, poet, philosopher and leader of the Arkestra, and a pioneer of Afrofuturism whose unconventional lifestyle and eclectic music brought him both fame and notoriety. The political motive behind his and the Arkestra’s musical performance concept was to literally incorporate the alienation to which they were subjected as a result of their blackness and project themselves into a beyond, that is, into outer space. In this performance concepts like consonance and dissonance, the known and the unknown are consequently renegotiated within the objects and unfoldings of the mis-en-scène, to be newly combined, presenting surfaces, textures and materials as the locus of the political. The performance will be part of the exhibition 'Textiles, Art and the Social Fabric'. Read more »

the jungle is a skyscraper is a co-production of If I Can't Dance, I Don't Want To Be Part Of Your Revolution and M HKA, Museum of Contemporary Art in Antwerp.

04/12/2009

PANDORA'S B


BAC! 10.0 INTERNATIONAL FESTIVAL OF CONTEMPORARY ART IN BARCELONA X EDITION --- PANDORA'S B.

CCCB / Centre de Cultura Contemporania de Barcelona

December 01 2009 - January 03 2010
http://www.lasanta.org/
online version of the 150 pages catalogue:
http://www.lasanta.org/web/index.php?/news/catalog-bac-09/

more info:
http://www.videoartworld.com/data/bulletins/Indomitable-Women-at-BAC-10.0.html
http://www.lasanta.org/web/
http://www.lasanta.org/web/index.php?/news/bac-cam-09/
http://www.lasanta.org/web/index.php?/news/bac-center-09/

Indomitable Women at BAC 10.0
Dec. 04 2009 - Jan. 07 2010

Curated by Macu Morán, the Indomitable Women exhibition gathers a selection of audiovisual artworks developed within the past four decades, in an attempt to glimpse the ethereal something that is abackdrop to the feminine artistic praxis. Homage to those passionate
artists who fearlessly redefine contemporary aesthetic and thought, taking us all towards new futures, conceived for an advanced, dynamic and multi-faceted society.

Venues: Fundació Joan Miró, Montjuic Park andCCCB ·Centre de Cultura Contemporania de Barcelonac/ Montealegre, 5, 08001, Barcelona, Spain
http://www.lasanta.org/

Pioneering Works Homage: THE HISTORIC CUT

- Maya Deren: At Land, 1944, 15'17'', Ukraine/U.S.A.
- Carolee Schneemann: Fuses, 1964-1967, 29'51'', U.S.A.
- Judy Chicago: Atmospheres: Duration Performances with Fireworks, 1969-1974, 14'21'', U.S.A.
- Yoko Ono: Freedom, 1972, 60'', Japan / U.S.A.
- Beryl Korot: Lost Lascaux bull, 1973, 4'10'', U.S.A.
- VALIE EXPORT: Remote… Remote, 1973, 9'55'', Austria
- Joan Jonas: Glass Puzzle, 1974, 17'27'', U.S.A.
- Ana Bella Geiger: Passages Passagens, 1974, 9'30'', Brazil
- Colette: Justine and the boys, 1979, 18' 13'', Tunizia / U.S.A.
- Orlan: Mesu-rage d'institucion. Mesu-rage du Musée Saint-Pierre, 1979, 17' 30'', France
- Marisa González:Domestic scene with a green worm, 1984, 7' 15'', Spain
- Guerrilla Girls: Guerrilla Girls, 1985-2007, 3' 30'', U.S.A.
- Ximena Cuevas: Antes de la T.V., 1985, 1' 43'', Mexico
- Joan Logue: 30 Seconds Portraits, 1980, 6' 01'', U.S.A.
- Suzanne Lacy: Learn where the meat comes from, 1976, 14'25'', U.S.A.
- Lynn Hershman: Confession of a Chamaleon, 1986, 10'00'', U.S.A.
- Paloma Navares: Els banyets, 1987, 1'40'', Spain
- Dara Birnbaum: Canon: Taking to the Street, 1990, 10'00'', U.S.A.
- Tracey Moffat: Heaven, 1990, 28'00'', Australia
- Coco Fusco: The Couple in the Cage: A Guatinaui, 1993, 31'00'',Cuba / U.S.A.
- Terry Berkovitz: Backseat, 1994, 21' 49'', U.S.A.
- Amy Greenfield: MuseIC of the BODy, 1994, 10'20'', U.S.A.
- Angie Bonino: The Wall, 1996, 1'30'', Peru/Italy
- Maria Fernanda Cardoso: Cardoso Flea Circus, 1996 , 8'00'', Colombia
- Mariko Mori: Miko No Inori, 1996, 14'50'', Japan / U.S.A.
- Martha Rosler: The Road to NAFTA, 1997, 10'00'', U.S.A.
- Beth Moyses: Dia a Dia, 1998 -1999, 6'52'', Brazil
- Dora García: Heartbeat, 1999, 5'24'', Spain
- Jenny Marketou: Dear Lady M., 1995-2009, 3'59'', Greece
- Ana de Alvear: Mood Landscapes - Reloaded, 1998, 3'00'', Spain
- Sigalit Landau: Three man hula, 1999, 1'36'', Israel


Festival Selections:
- Ester Achaerandio: Interview, 2007, 5'00'', Spain
- Grimanesa Amoros: Preocupacion, 2008, 1'22'', Peru/U.S.A.
- Paula Anta: Risoletto, 2007, 4'30'', Spain
- Carmen Arrabal: Troublee / Tsunami, 2009, 4'53'', Spain
- Gloria Arteaga: Recycle city, 2007, 5'00'', Peru
- Cristina Artola: Ages and Death, 2008, 4'26'', Spain
- Lidia Benavides: Galactoforo, 2007, 4'47'', Spain
- Patricia Betancur: Yo amo… , 2008, 5'00'', Uruguay
- Roxanne Billamboz: How to disappear brightly, 2007, 4'25'', France
- Raquel Bravo: Scenario#2, 2008, 5'00'', Spain
- Johanna Bruckner: The Gestual Abject: Myspacedotcom, 2009, 5'00", Germany
- Patricia Bueno: Yours is the Kingdom, 2007, 5'00'', Peru
- Beatriz Caravaggio: Entrevista a un hombre blanco, 2009, 1'20'', Spain
- Laura Celada: Anubis (a mith de_construction), 2009, 4'57'', Spain
- Marcela Cernadas: Rosa, 2008, 1'07'', Argentina
- Izumi Chiaraluce: Lou, 2009, 5'00'', Japan/Italy
- Maria Jose Chinchilla: Transformacion, 2008, 5'00", Spain
- Heroinas de la Cultura: Notes from Neverland, 2007, 5'00'', Spain
- Ana DeMatos: King Racing Girls, 2007, 2'44", Spain
- Begoña Egurbide: La habitación silenciosa, 2007, 3'19'', Spain
- Carmen Esplá: Rain, 2007, 3'00'', Spain
- Mari Carmen García Maheredo: Paiting Nature, 2008, 3'05'', Spain
- Regina Jose Galindo: Confession, 2007, 2'22'', Guatemala
- Chus Garcia-Fraile: Running, 2009, 2'43'', Spain
- Amparo Garrido: Don't say anything, 2008, 2'37, Spain
- Nuria Gil: Latinoamerica, 2008, 3'35'', Spain
- Anna Gimein: Maria, 2007, 4'08'', Russia/U.S.A./Spain
- Heide Hatry: Expectations, 2007, 2'47'', Germany
- Olga Kisseleva: My double Life, 2008, 2'57'', Russia
- Hye Rim Lee: Crystal City Spun 2008, 2007, 3'15", Korea
- Jin Lee-Kyung: Total Music I & II, 2006, 4'46'', Korea
- Glenda León: Inner Sea, 2006, 1'20'', Cuba
- Francesca Llopis: The virtuosity of giving me pleasure, 2007, 5'00'', Spain
- Laila Lobo: Séquiéneres (autoportrait in color), 2007, 3'00'', Spain
- Cristina Martin Lara: Landpartie If, 2008, 1'40'', Spain
- Sabine Massenet: Bande Annonce, 2009, 4'06'', France
- Laura Mergoni: Tombola, 2009, 4'05'', Italy
- Macu Moran: When wild insticts revive, predator sharpens the knife, 2007, 4'00'', Spain
- Post Op: Implants, 2006, 5'00'', Spain
- Funda Ozgunaydin: Displacement of culturalself, 2008, 4'10'', Turkey
- Teresa Puppo, Gabriela Larrañaga, Graciela Taquini: Secrets, 2007, 5'00'', Uruguay/Argentina
- Enriqueta Rocher: Under the skin, 2009, 4'32'' , Spain
- Eva Rohweder: Intervention I, 2009, 2'21'', Germany
- Alejandra Rotondi, Lorena Mendez: Cosas de Mujeres, 2009, 3'11'', Argentina
- Ana Luisa Sanchez-Law: Navigator, 2009, 3'13'', Panama
- Eva Sanchez: Yo no soy bonita, ni lo quiero ser, 2009, 2'05'', Spain
- Dafna Shalom: Arvit (Evening pray), 2008, 4'23", Israel
- Jacklyn Soo: Songs of innocence, 2008, 3'15", Singapore
- Evelin Stermitz: Table Talk, 2008, 2'34’’, Austria
- Rosalin Suero Castillo: Drag Line, 2006, 1'26", U.S.A.
- Mariana Vassileva: Definition, 2006, 2'10'', Bulgary


Exposición central en:
CCCB - Centre de Cultura Contemporània de Barcelona
www.cccb.org

PARTICIPAN: Linda Aloysius, Stefanie Herr, Sandrine B Skellie, Ares Molins i Masat, Ariadna Arnés, Alejandra Garrido Becerra, Ana Alvarez-Errecalde, Ana Cardim, Antonia Cruz Subercaseaux, Ana Teresa Vicente, Carla Cabanas, Cata. González, Diana Martin Lapeña, Dozza & Lehmann, Gloria Royo Sanchis, Jacqueline Aeberhard, Lourdes Carcedo de Sebastián, Maider Mendaza, Maria Cecilia Avendaño Bobillier, Marita Contreras, Marta Torrent, MissAlessia, Nihal Mumcu, Paola de Grenet, Patricia Reis, Rosa Feliu Atienza, Barbara Sanchez Barroso, Eva Vázquez Abraham, Hanamaro Chaki, Mariana Najmanovich, Fabiola Hernández Rodríguez, Patu Tifinger / Jane Sacco, Pilar Barrios Varela, Françoise Vanneraud, Las Taradas (Mariaema Soler y Marta Fuertes), Lola Sandoval Ricart, Loretta Firmani S., Lula Goce, Sonia Carballo Socataba, Carmen García Huerta, Equipo Falso (Alfonso Fábrega y Alejandro Bedoya), Evelin Stermitz, Marta Jiménez Salcedo, Anavia, Anka Manshusen, Begoña Egurbide, Claudia Carrillo, Marta Amorós, Delphine Delas, Mariana Sarraute, Yapci Ramos, Valis C (Eduardo Infante), Carolina Diez-Cascón, Montse Campins Figueras, Agentemorillas, Tres perras, Mapi Gil, Remedios Sotillo Höhner (Javier Tles), Michelle Pinder, Magdalena Esteve, Antonia Ribiera Tur, Joana Paredes (Sixe), Mariluz (Pichiglas), Sra Woolman

Eulalia Valldosera


Following the extensive, anthological exhibition held at the Reina Sofia Museum in Madrid last February, the Spanish artist will present in Naples and in Rome new works where the acts of cleaning and erasing are again a central issue.

Her new performance Dependencia mutua renovates once more her statement on power relationships trough objects and our dependance upon them. This time she's not in action but rather behind the camera.

The artist asked a cleaning lady from the Ukraine to dust a statue of a Roman Emperor. The video was recorded at the Archaeological Museum in Naples where the large, marble statue of the Emperor Claudius represents not only a treasure from the past but a burden to the changing present on Italian culture. As she touches and cleans the masculine figure in a dominating position, the woman defies the intangible and obscure dimensions ofsymbols of power.

Through this metaphoric action, the artist questions the relationship between hegemonic and subordinate roles. She wonders if the contraposition between powerful and subordinate – between masculine and feminine – is present in our psyche at an unconscious level and reflects upon the relationship of reciprocal dependence according to which every role requires another in order to justify its very existence.

Her well-known flying objects, projections of objects reflected by rotating mirrors, will be installed in both venues. At the gallery in Rome, a hand, intent upon cleaning, moves freely along the walls of the gallery reflected by a rotating mirror. The exhibit space becomes a screen, and, in turn, a container; with this ironic gesture, the art gallery already filled with objects becomes the object on exhibit. Flying mirrors have become individual pieces, designed like intruders in a domestic environment.

Printed images and text on packages of consumer products have been manually erased as to reestablish our relationship with the object. Envases borrados show a testimonial practice that might help us to deconstruct our identity as consumers, tied to the old idea of subjectivity and uniqueness. Objects don't exist any more but products in a designed world. Using such humble action she posts a critical statement on the project of Modernity.

Eulalia Valldosera was born in 1963 in Barcelona where she lives and works. She has exhibited her works in important galleries and museums the world over, including the Reina Sofia in Madrid, the Museé d'Art Contemporain in Montreal, and the PS1 in New York. She has participated in the 2009 Lyon Biennial, the 2004 Sao Paulo Biennial, the 2001 Venice Biennial, the 1996 Sydney Biennal, the 1997 Biennials of Johannesburg and Istanbul, and the Skulptur Projeckts in Münster in 1997.

With the kindly support of Real Academia de España and Soprintendenza speciale per i beni archeologici di Napoli e Pompei.

NAPLES, Wednesday, 9 December, 2009

Limpieza
ROME, Friday 11 December, 2009

Studio Trisorio Napoli
Riviera di Chiaia 215
80121 Napoli
tel./fax: +39.081 414306
info@studiotrisorio.com

Studio Trisorio Roma
Vicolo delle Vacche 12
(Piazza del Fico)
00186 Roma
Tel./fax +39.06 68136189
roma@studiotrisorio.com

Contact: Laura Trisorio
info@studiotrisorio.com

www.studiotrisorio.com

until 28 February, 2010

03/12/2009

The Permanent Conference of Artistic Resources

The Permanent Conference of Artistic Resources is a Bildwechsel project that aims to record and to build up our knowledge about the situation of (women) artists in different countries e.g. how easy it is for women artists to visit / live / work in each country, what support is there, what alternatives exist, what networks and alternative structures are there (or can be invented), how can we support each other, what changes to our situations can we make, what is the role of groups. The project also explores the definitions and ideas of what it is to be an artist different countries. Alternative social, economic and organisational structures are a core theme of the project.

experiments in living

How:

through meetings, workshops, visits and exchanges, exploring the themes outlined above amongst ourselves and with other artists in our own communities, and on our travels, sharing skills and knowledge, inventing and building new structures, sharing information online, building up a resource of what we learn (online, in the archive, and by producing things)

The questions at the core of the work are:

* what is the situation for (women) artists in different countries

* what is the situation for visiting (women) artists

* what are the different possibilities (women) artists can take advantage of in their countries/cities etc

* what support systems are there

* what kind of things can you invent to help you

* what is the ‚idea’ of a (woman) artist

* how do we survive as artists

01/12/2009

Xornadas de arte: Xéneros na Arte

Pontevedra: 9 -11 de DECEMBRO de 2009

Lugar: Casa das Campás, hora: 20.00



-Mércores, 9 de decembro de 2009

“A perspectiva feminista na arte contemporánea. O caso de Montehermoso.”

Xabier Arakistain

Director do Kulturunea ‘Montehermoso’ de Vitoria-Gasteiz.


-Xoves, 10 de decembro de 2009

“A muller real versus a muller ideal a finais do século XIX.”

Erika Bornay Campoamor

Profesora de Historia da Arte na Universidade de Barcelona.



-Venres, 11 de decembro de 2009

“Intervencións feministas na(s) historia(s) da arte.”

Patricia Mayayo

Profesora de Historia da Arte na Universidade Autónoma de Madrid.


Xabier Arakistain aka ‘Arakis’

Como estudoso da Arte e como comisario de proxectos expositivos ten unha especial inquedanza e empeño en mostrar a arte desde unha perspectiva de xénero. Pensa que o feminismo é a última e máis influínte vangarda do século XX. Por iso insiste en destacar a visión feminista da producción artística que se destacou como arte feminista desde os anos sesenta do s. XX. Trátase dun movemento artístico apoiado por un movemento social. Todo arte é política, e neste caso serviu de revulsivo para que se desmontasen todos os estereotipos sobre as mulleres e que deixaran de estar minorizadas socialmente. A arte feminista tenta cuestionar a orde social e como se constrúe esa representación dentro da orde social. Ve unha experiencia liberadora na arte feminista e no propio feminismo, porque da unha explicación moi lóxica de como está organizado o mundo, e destaca a súa intención transformadora contaxiosa.

O Centro Cultural Montehermoso de Vitoria-Gasteiz, segue unha liña clara dentro da súa programación para promover proxectos relacionados co desenvolvemento dunha historiografía da arte feminista no estado español. O seu director. Arakistain, falará desta liña de traballo que xurde da conxunción de arte, cultura e sociedade, e que segue unha orientación antielitista, achegando as artes á cidadanía, combinando artes visuais coa publicidade, a moda, a música…En definitiva, arte para a igualdade.

-Responsable do calendario do Salón de Exposicións da Fundazioa Bilbao (2001-2003).

-Comisario das exposicións de arte:

‘Transexual Express’ en Bilbao, Barcelona, Budapest e A Coruña (1999, 2001-2002).

‘Guerrilla Girls, 1985-2000.’ (2001-2003)

‘SWITCH on the power! Ruido y políticas musicales’ en Vigo, Gran Canaria e Victoria-Gasteiz (2006-2007)

‘Kiss Kiss Bang Bang, 50 pasos en 40 anos de arte e feminismo’ en Bilbao (2007).

-Moderador dos debates sobre ‘Arte e Feminismo’ mantidos nos Encontros Internacionais de Expertos en Arte Contemporánea na Feira ARCO en Madrid (2003-2005), de onde resultou o Manifesto ARCO 2005

-Director do Kulturunea ‘Montehermoso’ de Vitoria-Gasteiz dende o 2007


Erika Bornay Campoamor

Profesora titular de Historia da Arte na Universidade de Barcelona. Os seus traballos de investigación e os seus ensayos versan sobre a iconografía da muller na pintura. Os títulos que acompañan esta reseña son dabondo elocuentes. A súa experiencia na novela levouna a facer ficción sen abandoar a reconstrucción de contextos históricos e artísticos veraces e sempre cunha visión crítica. (“Los diarios de Fiona Courtauld.” La Tempestad, Barcelona 2002. “Las historias secretas que Hopper pintó.” Icaria, Barcelona 2009). Destaca tamén a súa colaboración en diarios: “El País”, “La Vanguardia”. É membro da “Asociación Nacional e Internacional de Críticos de Arte”.

Neste relatorio, “A muller real versus a muller ideal a finais do século XIX”, convídanos a falar do tema obxecto dos seus últimos estudos, que buscan dar unha explicación aos cambios na temática e na representación destes dous tipos de iconografía. O tema o contextualiza historicamente para poñer de relevo que aspectos, que cambios sociais e políticos deron lugar a aparición dun tipo de muller real, que contraviña un ideal que só estaba no imaxinario masculino.

Obras publicadas sobre arte:

-Historia del arte del siglo XIX. Planeta, Barcelona 1988

-Aproximación a Ramón Casas a través de la figura femenina. Ausa, Sabadell 1992

-Cómo reconocer el arte del Neoclásico. Edunsa, Barcelona 1996

-Las Hijas de Lilith. La imagen de la femme fatale en el arte. Cátedra, Madrid 1990.

-La cabellera femenina. Un diálogo entre poesía y pintura. Cátedra, Madrid 1994.

-Las mujeres de la Biblia en la pintura del Barroco. Imágenes de la ambigüedad. Cátedra, Madrid 1998

-Arte se escribe con M de Mujer. Sd ediciones, Barcelona 2009


Patricia Mayayo

É profesora de Historia da Arte na Universidade Autónoma de Madrid. A súa investigación céntrase na historiografía feminista e na arte contemporánea. Con ela temos a oportunidade de repensar e reescribir outras posibles historias da arte, para poder chegar a ter unha visión completa da realidade artística, máis alá da evidente preponderancia masculina oficial.

Obras publicadas sobre arte :

-Louise Bourgueois. Nerea, Hondarribia 2002

-Historia de mujeres, historia del arte. Cátedra, Madrid 2003

-Frida Kahlo. Contra el mito. Cátedra, Madrid 2008