26/09/2012

Alex Martines Roe


28 September 2012

ALL MY INDEPENDENT WOMEN 2012: Practicing Sexual Difference, workshop with Alex Martines Roe

Practicing Sexual Difference, workshop with Alex Martines Roe
28 September | 5-7pm | Free to attend RVSP: http://is.gd/amiw_28sept

@ Women’s Art Library, Goldsmiths University of London
In this workshop, radical Italian feminist practices developed by the Milan Women’s Bookstore Collective and others in the mid 1970s form a reference point for a series of practical tasks undertaken in groups and pairs. Starting with some discussion of different practices like autocoscienza (consciousness raising), the practice of relationships, the practice of doing, and affidamento (entrustment), we will then work in small groups to identify our individual “symbolic mothers”; relations of affidamento that we experience in our own lives; and potential practices of doing. Although the content of the workshop is focused on female sexual difference, people of all sexual identities are welcome to participate. The aim of the workshop is to explore the contemporary relevance of practices of sexual difference: as specific political acts, they move away from ideological models of collective politics, but nevertheless connect to one another. With special attention to the politics of documentation, we will record and annotate aspects of each encounter with these practices, forming an archive within the Women’s Art Library.
Alex Martinis Roe (b. 1982, Melbourne) is concerned with facilitating feminist relations within the art encounter and its historicization. She holds a PhD from Monash University Australia (2011), funded by Silver Jubilee Scholarship. Residencies: Seoul Artspace Geumcheon (2011); Gertrude Contemporary Art Spaces, Melbourne (2006-7); since 2009 lives and works Kunsthaus KuLe, Berlin. Recent shows: Collective Biographies, Bibliothekswohnung, Berlin (solo, 2012); Post-planning, Ian Potter Museum of Art, Melbourne (2012); non-writing histories, Artspace, Sydney (solo, 2012); Genealogies; Frameworks for Exchange, Pallas Projects, Dublin (solo, 2011); Denkmalpflege, Heidelberger Kunstverein (2011); HaVE A LoOk! Have a Look! FormContent, London (2010). This year she also gave a presentation at Salon Populaire as part of What is Power Today? and taught Lecture Performance at the Public School, Berlin. 

ALL MY INDEPENDENT WOMEN 2012
Interested in understanding and supporting feminist modes of production and circulation of artists’ practices that deal with issues around gender, this project marks the coming together of three important archives: the Women’s Art Library/Make, the Open Music Archive, and the AMIW Video Lounge.

The programme combines a series of talks, workshops, roundtable discussions, and viewings hosted at Goldsmiths University of London over a three months period, and two music commissions to be premiered on the 16 November at Cafe OTO.

With: Miguel Bonneville, Genève Brossard, Ele Carpenter, Catarina Carneiro de Sousa, Hyun Jin Cho, Carla Cruz, Beatrice Dillon, Mónica Faria, Althea Greenan, Karen Gwyer, Mika Hayashi Ebbesen, Risk Hazekamp, Nina Hoechtl, Anna Jonsson, Alex Martinis Roe, Cristina Mateus, Susana Mendes Silva, Sameiro Oliveira Martins, Lara Perry, Rita Rainho, Flávio Rodrigues, Eileen Simpson, Evelin Stermitz, Francesco Ventrella, Lenka Vráblíková, Ben White.

Exploring the different forms of distribution, promotion, and preservation performed by these archives that were once living networks, All My Independent Women 2012 searches for new modes of accountability and circulation within the arts that are based on dialogue with a potential for re-invention.

FULL PROGRAMME
@ Women’s Art Library, Goldsmiths University of London

27 September – 14 December | AMIW Video Lounge | Collection of video art by feminist artists belonging to All My Independent Women’s network

28 September 5-7pm | Practicing Sexual Difference | Workshop by Alex Martinis Roe
Free to attend, RSVP: http://is.gd/amiw_28sept

10 October 5-7pm | Archival Materials, Practices, Politics and Poetics | Workshop by Hyun Jin Cho and Nina Hoechtl
Free to attend, RSVP: http://is.gd/amiw_10oct

2 November 5-7pm | Feminist Curatorial Practices | Talk by Lara Perry and Francesco Ventrella
Free to attend, RSVP: http://is.gd/amiw_2nov

9 November 5-7pm | The Creative Commons within the Arts | Round table discussion with Ele Carpenter (Embroider Digital Commons), and Eileen Simpson & Ben White (Open Music Archive) | TBC
Free to attend, RSVP: http://is.gd/amiw2012_9nov

5 December 5-7pm | Re-engaging Archived Art Practices | Guided exploration of the Women’s Art Library and the Women’s Revolutions Per Minute archives by Althea Greenan and Mika Hayashi Ebbesen
Free to attend, RSVP: http://is.gd/amiw_5dec

Women’s Art Library/Make
Goldsmiths University of London
Special Collections Reading Room – Rutherford Building (Library)
New Cross, London, SE14 6AF
a.greenan@gold.ac.uk
Opening Hours: Monday – Friday 10am – 5pm (Wednesdays until 7pm)

@ Cafe OTO

16 November 8pm | The Brilliant and the Dark – B Side Samples for Remix | An Open Music Archive Project | Performances by Karen Gwyer, Beatrice Dillon, and the Open Music Archive

Cafe OTO
18 - 22 Ashwin Street
London E8 3DL
Advance tickets available via http://www.cafeoto.co.uk


All My Independent Women 2012 is supported using public funding by the National Lottery through Arts Council England


                                                           

25/09/2012

The Bring In Take Out Living Archive offene Ausschreibungen

LA ist ein kollektives Kunstprojekt, das auf den Grundsätzen des Teilens, des Austausches, des gemeinsamen und individuellen Wissens basiert. Wir suchen mit „offenen Ausschreibungen” nach Information, der Dokumentation von Kunstwerken und nach Kunstwerken von Frauen sowie feministischen KünstlerInnen in Audio/Text/visuellen Formaten, die in der LA Wien Ausgabe und weiteren berücksichtigt werden.

Im Rahmen von unserem kontinuierlichem Bemühen, feministisches Wissen, Erfahrungen, Ideen und Einstellungen im Hinblick auf feministische Kunstpraktiken im postjugoslawischen Raum und darüber hinaus zu sammeln, haben wir einen on-line Fragebogen entwickelt, der für KünstlerInnen, AkademikerInnen, KulturarbeiterInnen, KuratorInnen, AktivistInnen und allen Personen mit Wissen, Erinnerungen und/oder Expertise in diesem Bereich konzipiert ist. Jede Meinung ist wichtig, bitte lassen Sie uns Ihre wissen!
Der Fragebogen ist hier zu finden: http://bringintakeout.wordpress.com/questionnaire

Perpetuum Mobile ist eine Zusammenstellung von Videoarbeiten wie auch von anderen digitalisierten Kunstprojekten (Fotos, Comics, Texte, webbasierte Projekte) und wächst auf der Basis einer kontinuierlichen, offenen Ausschreibung. Die Kompilation wird im Rahmen der LA Ausstellungen (als Vorführung an der Perpetuum Mobile Station) in unterschiedlichen Städten gezeigt. Aus rechtlichen Gründen können wir nur Videoarbeiten als Geschenk oder einfach als Kopie akzeptieren. http://bringintakeout.wordpress.com/artists-and-works/perpetum-mobile/

Wenn Sie an LA offenen Ausschreibungen wahrnehmen wollen, schicken Sie bitte Ihr Material in digitaler Form an: bringintakeout@gmail.com oder bringen Sie es in VBKÖ oder Open Systems mit.

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The Bring In Take Out Living Archive open calls

The Bring In Take Out Living Archive is a collaborative art project that is grounded on the principles of sharing, exchange, commons, and collective vs. individual knowledge. With different open calls we are looking for information, documentation of artworks and artworks of women and feminist artists from the (post)Yugoslav space and beyond:

Bring In Take Out Living Archive Questionnaire
As part of our continuous endeavour to collect feminist knowledge, experiences, ideas and beliefs in regard to feminist art practices in the (post)Yugoslav space and beyond, we have developed a Questionnaire to be filled out by artists, academics, cultural workers, curators, activists and all who have knowledge, remembrances and/or expertise in the field. Each opinion counts, so please bring in yours! You can find the questionnaire and fill it out at this site:
http://bringintakeout.wordpress.com/questionnaire/

Open call for Perpetuum Mobile video compilation
Perpetuum Mobile is a compilation of video works as well as some other digitized art projects (photos, comics, texts, webbased projects), growing on the basis of a continuous open call and on display within LA exhibitions (as screening at the Perpetuum Mobile station) in different cities. For legal reasons we can only accept video art works as a gift or simply as a copy.

For Reading Room and Digital Oven – another two stations of LA exhibition – we are looking for any kind of documentation: photo, exhibition photos or information on video and audio material etc., preferably in digital format.
In case you are able to share, collaborate and add anything of (your personal) interest to Bring In Take Out Living Archive please send it by e-mail (bringintakeout@gmail.com), file sharing services or snail mail (CRVENA – for LA project, Hamdije Cemerlica 11/1, 71 000 Sarajevo)

                               


23/09/2012

Risk Hazekamp


IK M/V (I M/F)

25 September 2012 until 17 March 2013
Museum Het Dolhuys, the Dutch national museum for psychiatry
Opening: Tuesday, September, 25 17:00-19:00

Risk Hazekamp

Greta Alfaro

A very Crafty and Tricky Contrivance 

is a site specific project, created at the semi-derelict Fish and Coal building, in Kings Cross.
Opening  27 September 2012 6-9pm
 

 

21/09/2012

All My Independent Women 2012

Interested in understanding and supporting feminist modes of production and circulation of artists’ practices that deal with issues around gender, this project marks the coming together of three important archives: the Women’s Art Library/Make, the Open Music Archive, and the AMIW Video Lounge.

The programme combines a series of talks, workshops, roundtable discussions, and viewings hosted at Goldsmiths University of London over a three months period, and two music commissions to be premiered on the 16 November at Cafe OTO.

With:
Miguel Bonneville, Genève Brossard, Ele Carpenter, Catarina Carneiro de Sousa, Hyun Jin Cho, Carla Cruz, Beatrice Dillon, Mónica Faria, Althea Greenan, Karen Gwyer, Mika Hayashi Ebbesen, Risk Hazekamp, Nina Hoechtl, Anna Jonsson, Alex Martinis Roe, Cristina Mateus, Susana Mendes Silva, Sameiro Oliveira Martins, Lara Perry, Rita Rainho, Flávio Rodrigues, Eileen Simpson, Evelin Stermitz, Francesco Ventrella, Lenka Vráblíková, Ben White.

Exploring the different forms of distribution, promotion, and preservation performed by these archives that were once living networks, All My Independent Women 2012 searches for new modes of accountability and circulation within the arts that are based on dialogue with a potential for re-invention.

@ Women’s Art Library, Goldsmiths University of London

27 September – 14 December | AMIW Video Lounge | Collection of video art by feminist artists belonging to All My Independent Women’s network

28 September 5-7pm | Practicing Sexual Difference | Workshop by Alex Martinis Roe
Free to attend | RSVP: http://is.gd/amiw_28sept

10 October 5-7pm | Archival Materials, Practices, Politics and Poetics | Workshop by Hyun Jin Cho and Nina Hoechtl
Free to attend | RSVP: http://is.gd/amiw_10oct

2 November 5-7pm | Feminist Curatorial Practices | Talk by Lara Perry and Francesco Ventrella
Free to attend | RSVP: http://is.gd/amiw_2nov

9 November 5-7pm | The Creative Commons within the Arts | Round table discussion with Ele Carpenter (Embroider Digital Commons), and Eileen Simpson & Ben White (Open Music Archive) | TBC
Free to attend | RSVP: http://is.gd/amiw2012_9nov

5 December 5-7pm | Re-engaging Archived Art Practices | Guided exploration of the Women’s Art Library and the Women’s Revolutions Per Minute archives by Althea Greenan and Mika Hayashi Ebbesen
Free to attend | RSVP: http://is.gd/amiw_5dec

Women’s Art Library/Make
Goldsmiths University of London
Special Collections Reading Room – Rutherford Building (Library)
New Cross, London, SE14 6AF
www.gold.ac.uk/make
a.greenan@gold.ac.uk
Opening Hours: Monday – Friday 10am – 5pm (Wednesdays until 7pm)


@ Cafe OTO

16 November 8pm | The Brilliant and the Dark – B Side Samples for Remix | An Open Music Archive Project | Performances by Karen Gwyer, Beatrice Dillon, and the Open Music Archive

Cafe OTO
18 - 22 Ashwin Street
London E8 3DL
www.cafeoto.co.uk

Advance tickets available via http://www.cafeoto.co.uk

More information can be found at http://amiw2012.blogspot.co.uk

All My Independent Women 2012 is supported using public funding by the National Lottery through Arts Council England
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19/09/2012

Susana Chiocca


A Queda (De Val)

de Susana Chiocca em colaboração com Kees Van Zelst

22 de Setembro
das 16h às 19h
no
KijkRuimte
(Van der Pekstraat 34 HS - Amsterdam)

Porque aqui também querem deitar os bairros abaixo…

da vivência no norte de Amesterdão, numa das zonas mais pobres da cidade,
que em pouco tempo tem sofrido um processo de gentrificação é o ponto
de partida para o projeto A Queda (De Val) de Susana Chiocca.

Durante a residência realizada no espaço KijkRuimte a artista foi construindo
um texto que, posteriormente, em colaboração com os habitantes gravou
em vários idiomas na tentativa de incorporar a riqueza das sonoridades
que revelam a mistura cultural e étnica do lugar.

O espaço expositivo transformou-se em sala de estar, para receber o visitante
que manifeste interesse em estar, ouvir, beber um chá e conviver, vivenciar
a realidade retratada em A Queda.

(projecto de parceria entre o espaço KijkRuimte e Steim)

18/09/2012

Dalila Gonçalves

Procedere é Processo

21.09.2012 a 30.10.2012
Inaugura a 21 de Setembro, Sexta-Feira, às 19h00 na Kubikgallery

Na exposição “Procedere é Processo”, a artista Dalila Gonçalves apresenta um conjunto de obras que resultam de um jogo experimental, com que normalmente procura testar a permeabilidade entre matérias e processos da prática artística e da vivência quotidiana.

Utilizando ferramentas como o vídeo, a fotografia e a instalação, a artista concebe objectos que nem sempre implicam a transformação real das coisas, concretizam-se, em muitos dos casos, pelo simples uso inesperado, irónico, absurdo ou metafórico da matéria. Pela subtileza da informação utilizada, pela natureza dos materiais, ou pelo simples modus operandi joga-se também com a própria “percepção” e com a ideia de “evidência”. É porventura nestes momentos de estranheza, nessa espécie de fronteira entre a realidade física e a ficção, que são activados os mecanismos do sentir e do pensar que aferem significado ao objecto artístico.

“Questiono-me sobre as hipotéticas relações entre o “tempo vertiginoso” da contemporaneidade e o tempo da produção e prática artística. Por certo, à medida que a vida e a arte se misturam, à medida que o artista passa a pertencer ao mundo das universidades, dos impostos, da família e do crédito, à medida que os ateliers deixam de ser pequenas ilhas, tudo aquilo que se produz tem, assumidamente, algo mais de espelho e algo mais de reflexo.”
Dalila Gonçalves.

Kubikgallery
Rua da Restauração n.º 2
4050 499 Porto

13/09/2012

CURSO "PERSPECTIVAS FEMINISTAS EN LAS PRODUCCIONES ARTÍSTICAS Y LAS TEORÍAS DEL ARTE"

5, 6 y 7 de Octubre
Alhóndiga Bilbao

El primer curso "Perspectivas feministas en las producciones artísticas y las teorías del arte", dirigido por Lourdes Méndez, Catedrática de Antropología del Arte de la UPV/EHU y Xabier Arakistain, Comisario independiente, se celebrará del 5 al 7 de octubre en el Centro de arte y cultura AlhondigaBilbao con el objetivo de contribuir a la difusión de conocimientos críticos sobre lo que acontece en los campos de producción artística en las sociedades contemporáneas.

Estructurado en dos bloques, el curso abordará tanto las problemáticas teóricas y políticas a las que se enfrentan las investigadoras feministas para seguir construyendo un conocimiento no sexista. En este curso abierto a todos los públicos y de inscripción gratuita participarán:

Amelia Valcárcel
Yvone P. Doreder
Mónica Mayer
Frida Kahlo, (Gerrila Girls)
Maite Garbayo
Brigid Doherty
Helena Reckitt

Más información en:

info@alhondigabilbao.com
www.alhondigabilbao.com

Miguel Bonneville / GINA

GINA ///\ SHOW DE VARIEDADES
com ante-estreia do video 'Postures' de Miguel Bonneville
e música de BlackBambi \\ convidado de honra
14.09.2012 Passos Manuel \\ Porto
entrada ≈ 2 eur

11/09/2012

Penelope Slinger: 'Hear What I Say' (1971-1977)

Eat My Words, Photographic collage on card, 1973 

Tuesday 11 September - Saturday 3 October
Riflemaker
79 Beak Street, Regent Street, London W1F 9SU
"The art and the life of Penelope Slinger (b.1947 London) are inextricably interwoven. Hear What I Say is the second of three exhibitions focussing on the artist's early output; photographic collages, objects and sculptural works from the 1970s. "


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